Subtitle addiction is a symptom of a larger cultural disease: the fear of missing a single piece of data. We treat movies like emails. We want the transcript, the summary, the bullet points. But art is not data. Film is not a manuscript.
You are reading the movie.
We have all had the experience: A stunning landscape shot. The hero stands on a cliff overlooking a CGI paradise. But we don’t see the vista. We are reading the exposition dump that happens to be playing over it.
What was once a yellow icon reserved for foreign films or the hearing impaired is now the default setting for a generation.
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