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Orange-5 Programmer

Is a professional general purpose programming device for memory and microcontrollers. Unique feature of the current series programmers is built-in macrolanguage for writing down protocols, which gives fast and easy capability to add new types of ICs, precisely meeting manufacturers' requirements to read/write algorithms.

Hardware Features :

  • Universal easy to plug panel ZIF16 for EEPROMs
  • Control of contacts in the sockets
  • Two expansions sockets (MT & SE)
  • Protection against overcurrent
  • Overload voltage protection
  • Three 3 adjustable voltage and current control: Voltage of power supply ( 2.0...5.0V ), programming voltage (2.0...21.0V), additional static 10V for microcontrollers.
  • High-speed bidirectional pin drivers with adjustable voltage (2.0...5.0V)
  • Wave cycle generator with frequency ( up to 24 Mhz) and out voltage(2.0...5.0V) adjustment
  • Capability of functional emulation of class CDC USB devices
  • Built-in 32-bit virtual machine
  • Supported interface: I2C, SPI, MicroWire, JTAG, UART, BDM, ISO7816, K-LINE (via adapter), CAN (via adapter)

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Orange-5 Features

The most seasoned and arguably most compelling performance comes from John Ortiz as Sheriff Eddie Morales. A veteran character actor with a career spanning independent films ( Before Night Falls ) and major blockbusters ( Miami Vice ), Ortiz imbues the small-town sheriff with a weary, tragic dignity. Unlike the hotheaded lawmen common in horror cinema, Sheriff Morales is methodical, overwhelmed, and deeply empathetic. His investigation of the crashed Predator ship and the subsequent Xenomorph outbreak unfolds with a procedural realism that Ortiz sells completely. He captures the frustration of a man whose skills—ticket-writing and domestic disputes—are laughably inadequate for an extraterrestrial invasion. The film’s most affecting scene involves Morales making a desperate, failed last stand to protect fleeing civilians; Ortiz plays it not as heroic sacrifice but as a devastating acknowledgment of defeat. His performance serves as a poignant reminder that in the Alien and Predator universe, even the best intentions are often obliterated by cosmic indifference.

At the heart of the human narrative is Steven Pasquale as Dallas Howard, a recently returned petty criminal whose arc of redemption provides the film’s emotional spine. Pasquale, best known for his soulful performance as firefighter Sean Garrity on the NBC drama Rescue Me , brings an unexpected vulnerability and rugged everyman quality to the role. Unlike the hyper-competent Ellen Ripley or the stoic Dutch from Predator , Dallas is flawed, hesitant, and driven initially by selfish motives—to reconnect with his estranged brother and young niece. Pasquale’s naturalistic performance, honed in television’s character-driven crucible, makes Dallas’s transformation from ex-con to reluctant leader believable. His chemistry with a young Ariel Gade (playing his niece, Molly) provides the film’s few moments of genuine pathos. Pasquale succeeds where the script often fails: he makes the audience care about a man whose primary skill is guilt, grounding the chaotic Predator and Alien mayhem in a story of atonement.

In the pantheon of science-fiction crossover cinema, Aliens vs. Predator: Requiem (2007) occupies a peculiar and often maligned position. Directed by the brothers Colin and Greg Strause, the film was conceived as a darker, more visceral response to its predecessor’s PG-13 rating, aiming to return the franchises to their R-rated, horror-infused roots. While the film is frequently criticized for its murky cinematography and narrative predictability, its cast represents a fascinating microcosm of Hollywood hierarchy in the late 2000s: a strategic blend of promising young television actors, seasoned character veterans, and physically commanding stunt performers. The ensemble of AVPR is not merely a collection of archetypes awaiting slaughter; it is a deliberate assembly of talents designed to ground the extraterrestrial terror in a recognizable, small-town reality. Through the performances of Steven Pasquale, Reiko Aylesworth, John Ortiz, and the silent physicality of Ian Whyte, the film attempts—with varying success—to elevate a monster mash into a tragedy of communal survival.

Utilities

Orange-5

O5Tool

Set of additional tools for Orange 5 programmer.Including generator of rectangular pulses, probe, logic analyzer, oscilloscope, emulator for CDC devices.

Features

  • Logic Analyzer: 8 channels, 32 KB of memory, the maximum frequency of recording - 2.5 MHz
  • Protocol analyzer: I2C, MicroWire, SPI, RS232 ...
  • Generator: Maximum rate - 16 MHz.
  • Logic probe - 12 channels.
  • Oscilloscope - the sampling frequency of 300 kHz, input voltage of 0-5 volts.

Orange-5

CnCterm

Terminal program for work with COM ports.

Features

  • Supports any COM ports, incuding virtual ones from 1 to 20
  • Works with text (ASCII) and HEX mode
  • Creating a list of commands that allows editing and fast sending
  • Fine-tuning the exchange rate
  • Saving files including command and port settings.
  • Saving incoming data in binary files
  • File transfer via serial port.
  • Delay settings for bytes and blocks
  • "Echo" mode
  • Delay settings between incoming data
  • Managment of DTR, RTS chains, visualising DSR, CTS, CD, RI
  • Program doesn't need to be installed
  • Supports Orange5 programmer in emulation mode.