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Jubran’s style blends realistic figure drawing with symbolic, almost surrealist panel layouts, especially when depicting the novel’s metaphysical elements. For instance, scenes involving the Soul of the World, the wind, and the sun in the climactic transformation sequence are rendered not as literal events but as cosmic, flowing compositions that capture the magic of Coelho’s allegory. The characters, particularly the boy Santiago, the alchemist, and Fatima, are drawn with expressive subtlety, allowing the visual narrative to carry emotional weight without relying heavily on the novel’s signature aphoristic dialogue.
Nevertheless, the significance of Jubran’s 2010 adaptation lies in its accessibility. It introduced a generation of reluctant readers and visual learners to Coelho’s core message—that “when you want something, all the universe conspires in helping you to achieve it.” By translating the novel’s heavy reliance on internal monologue into sequential art, Jubran made the story more immediate and cinematic. cross-media appeal of Coelho’s fable
Paulo Coelho’s The Alchemist (original Portuguese title: O Alquimista ) is one of the most translated books in history, a modern allegorical novel that has sold over 150 million copies worldwide. Its universal themes of following one’s “Personal Legend,” listening to the heart, and interpreting the language of the world have inspired countless adaptations. Among the most notable of these is the official graphic novel adaptation by Brazilian artist Alexandre Jubran. Published in its original English edition in , Jubran’s comic adaptation offers a unique visual dialogue with Coelho’s text, transforming a sparse, philosophical narrative into a vibrant, sequential-art experience. His artwork employs a warm
It is crucial to note that while the English edition appeared in 2010, Jubran’s work on the adaptation began earlier. The Portuguese-language edition, titled O Alquimista – Graphic Novel , was first published in Brazil in 2008, where Jubran was already a celebrated comics artist known for his work on O Vampirologista and adaptations of classics like The Iliad . The 2010 English release was therefore a translation and republication, intended to introduce Coelho’s massive Anglophone audience to a new visual interpretation of Santiago’s journey from Andalusia to the Egyptian pyramids. earth-toned palette—rich ochres
Alexandre Jubran’s adaptation is distinct because it is not a simple illustration of the novel’s prose but a reinterpretation. Coelho’s original work is notable for its fable-like simplicity, lacking extensive physical description of characters or settings. Jubran faced the challenge of making the abstract concrete. His artwork employs a warm, earth-toned palette—rich ochres, deep blues, and sandy yellows—evoking the arid landscapes of Spain and North Africa.
In summary, Alexandre Jubran’s comic adaptation of The Alchemist is a landmark in literary graphic novels. While the original Brazilian edition appeared in 2008, the published by HarperOne remains the most widely circulated and referenced version. Jubran’s artwork successfully navigates the tension between literal illustration and symbolic interpretation, offering both longtime fans and new readers a compelling visual journey. As a publication, the 2010 comic adaptation stands as a testament to the enduring, cross-media appeal of Coelho’s fable, proving that a boy’s search for treasure can be just as powerful in panels and gutters as it is in paragraphs and pages.
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Principal Investigator, Professor of Chemistry
Panče Naumov leads the Smart Materials Lab and the Center for Smart Engineering Materials at NYUAD. His group is internationally recognized for pioneering crystal adaptronics and advancing adaptive molecular solids, with applications in sensing, robotics, optics, and energy systems.
Meet the TeamWe are proud that the Smart Materials Lab is the leading team in impactful chemistry research in the United Arab Emirates, with research output that, according to the Nature Index, accounts for 40‒60% of the total chemistry publications within the country, both in fractional count and weighed fractional count. The past and current research projects in the Smart Materials Lab have been sponsored by Abu Dhabi National Oil Company (ADNOC), Abu Dhabi Education Council (ADEC), Human Science Frontier Program Organization (HFSPO), and the UAE National Research Foundation (NRF), in addition to generous financial support from NYUAD and the NYU Abu Dhabi Institute. The members of the Smart Materials Lab work closely with NYUAD's Center for Smart Engineering Materials (CSEM).