Chen sat in the watchtower until dusk. He remembered the thwock of the ball. He remembered Lin’s voice in his headphones, saying, “Hold, hold, hold.” He remembered the girl Li Jie, after the final scene, asking him if the film would make her famous. He had lied and said yes.
He sent the folder to his son. “This is from 1986,” he wrote. “I was the sound man.” His son replied three days later: “Cool. Do you want me to send you some money for a storage unit?” film pingpong
Chen had been the sound recordist on the shoot. It was his first job out of film school, a school that had since been demolished to make way for a shopping mall. He remembered the weight of the Nagra III on his shoulder, the smell of cigarette smoke and sweat in the gymnasium, the particular thwock of a celluloid ball against a blade of rubber and wood. He had captured that sound. It was, he sometimes thought, the only perfect thing he had ever made. Chen sat in the watchtower until dusk