It wasn't just consumerism; it was frantic consumerism. People weren't buying the latest PlayStation or a weighted blanket for Aunt Carol; they were buying normalcy . They were throwing credit cards at a wall of supply-chain shortages, hoping something—anything—would stick. The shelves were empty of the specific brand of canned pumpkin, but overflowing with a terrifying anxiety that you could taste in the air, like burnt wiring. We were all trying to decorate a house that was actively on fire.
Christmas morning arrived not with angels singing, but with the sound of a malfunctioning space heater and the smell of burnt coffee. The family gathered. We performed the rituals: the ripping of foil, the exclamations over socks, the passive-aggressive glances at the uncle who drank the good bourbon before noon. The fluorescent dinosaur was a success—a five-minute dopamine blast followed by a meltdown when the batteries died. gonzo xmas 2022
So, as the sun sets on that memory, I raise a glass of leftover eggnog—which is mostly bourbon—to the Gonzo Christmas. To the year we finally realized that sanity had gone on vacation and we were left to run the asylum. It was loud, it was expensive, it was deeply, profoundly unhinged. But it was ours. And in the fear and the loathing, we were, for a fleeting moment, actually alive. It wasn't just consumerism; it was frantic consumerism
And yet. In the wreckage of the perfect holiday, we found something real. We found the messy, unphotogenic, ugly-cry version of love. When the power flickered during dinner, plunging the dining room into darkness for ten seconds, nobody screamed. In the dark, my sister reached over and squeezed my hand. For a moment, the performance stopped. We were just people in the dark, grateful not to be alone. The shelves were empty of the specific brand
It wasn't just consumerism; it was frantic consumerism. People weren't buying the latest PlayStation or a weighted blanket for Aunt Carol; they were buying normalcy . They were throwing credit cards at a wall of supply-chain shortages, hoping something—anything—would stick. The shelves were empty of the specific brand of canned pumpkin, but overflowing with a terrifying anxiety that you could taste in the air, like burnt wiring. We were all trying to decorate a house that was actively on fire.
Christmas morning arrived not with angels singing, but with the sound of a malfunctioning space heater and the smell of burnt coffee. The family gathered. We performed the rituals: the ripping of foil, the exclamations over socks, the passive-aggressive glances at the uncle who drank the good bourbon before noon. The fluorescent dinosaur was a success—a five-minute dopamine blast followed by a meltdown when the batteries died.
So, as the sun sets on that memory, I raise a glass of leftover eggnog—which is mostly bourbon—to the Gonzo Christmas. To the year we finally realized that sanity had gone on vacation and we were left to run the asylum. It was loud, it was expensive, it was deeply, profoundly unhinged. But it was ours. And in the fear and the loathing, we were, for a fleeting moment, actually alive.
And yet. In the wreckage of the perfect holiday, we found something real. We found the messy, unphotogenic, ugly-cry version of love. When the power flickered during dinner, plunging the dining room into darkness for ten seconds, nobody screamed. In the dark, my sister reached over and squeezed my hand. For a moment, the performance stopped. We were just people in the dark, grateful not to be alone.