That isn’t acting. That’s bewitchment. What are your thoughts on Sasha Grey’s mainstream cameos? Did you even notice her in Bewitched, or did she cast a spell on you later? Drop a comment below.
Yes, you read that correctly. While most people remember Nicole Kidman’s twitching nose or Will Ferrell’s manic energy, a small, vocal cult of cinephiles (myself included) has become utterly by Grey’s blink-and-you’ll-miss-it cameo. Let’s talk about why this 10-second moment refuses to leave the collective psyche. The Role That Wasn’t There For the uninitiated: Bewitched (dir. Nora Ephron) is a meta-tale about an actor (Ferrell) who casts a real witch (Kidman) to play Samantha on a reboot of the classic sitcom. It is fluffy, charming, and deeply early-2000s.
Midway through the film, our hero visits a bookstore. Behind the counter, leaning against a shelf of occult paperbacks, is a clerk. She has dark hair, pale skin, and eyes that seem to be looking through the camera rather than at it. She has one line—maybe two. She hands over a book. The scene ends.
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Steff Joined: Oct-20-2016 |
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That isn’t acting. That’s bewitchment. What are your thoughts on Sasha Grey’s mainstream cameos? Did you even notice her in Bewitched, or did she cast a spell on you later? Drop a comment below.
Yes, you read that correctly. While most people remember Nicole Kidman’s twitching nose or Will Ferrell’s manic energy, a small, vocal cult of cinephiles (myself included) has become utterly by Grey’s blink-and-you’ll-miss-it cameo. Let’s talk about why this 10-second moment refuses to leave the collective psyche. The Role That Wasn’t There For the uninitiated: Bewitched (dir. Nora Ephron) is a meta-tale about an actor (Ferrell) who casts a real witch (Kidman) to play Samantha on a reboot of the classic sitcom. It is fluffy, charming, and deeply early-2000s. sasha grey bewitched
Midway through the film, our hero visits a bookstore. Behind the counter, leaning against a shelf of occult paperbacks, is a clerk. She has dark hair, pale skin, and eyes that seem to be looking through the camera rather than at it. She has one line—maybe two. She hands over a book. The scene ends. That isn’t acting
