And at #18: —a murder ballad set to a cheerful acoustic guitar. She won Record of the Year at the Grammys. Then she disappeared. The Final Oddity The #5 song of 1997 was "Un-Break My Heart" by Toni Braxton . A power ballad so dramatic, so soaked in string sections and vocal runs, that it felt like a Broadway death scene. It was the last gasp of the "adult contemporary" diva before Britney Spears and boy bands bulldozed the landscape in 1998. The Moral of the Story If you listen to the Top 20 of 1997 today, you’ll notice something strange: there is no "sound of 1997." There’s a dead princess’s tribute next to a song about a meth-fueled threesome ("Semi-Charmed Life"). There’s a 12-year-old’s falsetto next to a grieving widow’s wail. There’s a kazoo.
Then there was the outlier. At #19 was —a mopey alt-rock ballad about suicide and regret. It was the anti-Puff. No samples. No swagger. Just a singer staring at his shoes. It had no business being next to Mase and Busta Rhymes, yet there it was. Battle 3: The Teenage Mutant Girl Power At #13 was "Wannabe" by the Spice Girls . The song that introduced "zig-a-zig-ah" to the English language. It was chaos: shouting, laughing, a rap break from Mel B, and a key change that felt like a sugar explosion. Record labels had spent years trying to manufacture girl groups. The Spice Girls accidentally did it while being openly rude to their managers.
But 1997 also gave us the anti-Spice Girl. At #20 was . A rock song with the chorus: "I’m a bitch, I’m a lover, I’m a child, I’m a mother." Radio played it constantly, often bleeping the title while playing the song. The cognitive dissonance was perfect. Battle 4: The One-Hit Wonder Graveyard This is where the chart gets weird. #10: "Where Have All the Cowboys Gone?" by Paula Cole . A feminist anti-cowboy song with a kazoo solo. #14: "Semi-Charmed Life" by Third Eye Blind . A bouncy, doo-doo-doo-doo’d pop hit that was secretly about meth addiction. #16: "Barely Breathing" by Duncan Sheik . A song so quiet you had to turn your car stereo to max to hear it.
And at #18: —a murder ballad set to a cheerful acoustic guitar. She won Record of the Year at the Grammys. Then she disappeared. The Final Oddity The #5 song of 1997 was "Un-Break My Heart" by Toni Braxton . A power ballad so dramatic, so soaked in string sections and vocal runs, that it felt like a Broadway death scene. It was the last gasp of the "adult contemporary" diva before Britney Spears and boy bands bulldozed the landscape in 1998. The Moral of the Story If you listen to the Top 20 of 1997 today, you’ll notice something strange: there is no "sound of 1997." There’s a dead princess’s tribute next to a song about a meth-fueled threesome ("Semi-Charmed Life"). There’s a 12-year-old’s falsetto next to a grieving widow’s wail. There’s a kazoo.
Then there was the outlier. At #19 was —a mopey alt-rock ballad about suicide and regret. It was the anti-Puff. No samples. No swagger. Just a singer staring at his shoes. It had no business being next to Mase and Busta Rhymes, yet there it was. Battle 3: The Teenage Mutant Girl Power At #13 was "Wannabe" by the Spice Girls . The song that introduced "zig-a-zig-ah" to the English language. It was chaos: shouting, laughing, a rap break from Mel B, and a key change that felt like a sugar explosion. Record labels had spent years trying to manufacture girl groups. The Spice Girls accidentally did it while being openly rude to their managers.
But 1997 also gave us the anti-Spice Girl. At #20 was . A rock song with the chorus: "I’m a bitch, I’m a lover, I’m a child, I’m a mother." Radio played it constantly, often bleeping the title while playing the song. The cognitive dissonance was perfect. Battle 4: The One-Hit Wonder Graveyard This is where the chart gets weird. #10: "Where Have All the Cowboys Gone?" by Paula Cole . A feminist anti-cowboy song with a kazoo solo. #14: "Semi-Charmed Life" by Third Eye Blind . A bouncy, doo-doo-doo-doo’d pop hit that was secretly about meth addiction. #16: "Barely Breathing" by Duncan Sheik . A song so quiet you had to turn your car stereo to max to hear it.
